THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his ft on the bottom. He can be humiliated to parade his goodness. He works by using ingenuity rather then divinity. Chaplin’s untidy love lifestyle suggests he felt he deserved whomever he desired; Keaton in personal daily life appears to are already melancholic as a consequence of alcoholism, but an honest ample

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